Buy this book on-line Charles Garnier : Le Nouvel Opera de Paris
Cuche Et. Cie, c.1880
Two Large Folios of Plates: Contemporary half red morocco with gilt rules and matching marbled boards. Spine in 6 compartments of raised bands with gilt floral designs and gilt, title on 2. Matching marbled and pasted and free endpapers. Top edges gilt.
2 Quarto Volumes of Text: Contemporary half morocco with gilt rules and matching marbled boards. Spine in 5 compartments of raised bands, and gilt decorative motifs, gilt text on two and four. Marbled pasted and free endpapers marbled. Top edges gilt. , A fine and handsome copy, plates and text are clean and crisp., Two Folios; 2 Quartos, Folios: Vol 1: blank, title, blank, half title, blank, frontiespiece, title page, blank, , 40 plates; table of plates, Vol 2: blank, title, blank, half title, blank, title page, blank, , blank, 60 plates, blank, table of plates. , Complete with 75 plates including 55 black and white lithographs and 20 coloured choromolithographs depicting the architectural design of the Paris Opera House by the architect Charles Garnier. Many single plates are counted as two plates which brings the total number of plates to 100 (Vol 1: 40, Vol 2: 60)., Volume : 4 volumes.
Two Large Folios of Plates (462mm x 628mm) and 2 Quarto Volumes of Text (190mm x 300mm).
Decorative plates depicting plans, mythological symbolism and construction details of the neo-Baroque Parisian Opera house completed in 1875. Engravings in great detail after drawings by Duchamp, Jasson and others of one of the most admired buildings of Paris. The beautiful chromolithographs convey the splendor and luxury of the interior decoration. Our example does not include the photograph volumes.
Charles Garnier (1825 – 1898) was a French architect, perhaps best known as the architect of the Palais Garnier and the Opéra de Monte-Carlo. In 1861 Garnier entered and won the competition for the new Paris opera house. Garnier\\\\\\\\\\\\\\\'s works represent a Neo-Baroque-inspired style, popular during the Beaux-Arts period in France. He was influenced by the Italianate styles of Renaissance artisans such as Palladio, Sansovino, and Michelangelo, perhaps the result of his many visits to Greece and Rome during his lifetime. His design reflected the aspirations of the Second Empire with its rich colouring and decoration. From his studies of Roman pageantry, Garnier had developed a great sense of occasion and drama which when coupled with a logical floor plan was used to good effect in the opera. He was also a pioneer of architectural beauty as well as function; his opera was built on a framework of metal girders, unprecedented at the time.
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