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OLIPHANT, Andries Walter (Edited by) : Staffrider VOL.8 No.1

Ravan Press, Johannesburg, 1989

Very good indeed in the original thin card pictorial wrappers as issued, hint of marginal staining upper corner first few leaves. The quintessential multicultural literary periodical of the late Apartheid period, reflecting the progress and rise of the new school of African writers in South Africa. Staffrider was first published in 1977, and took its name from slang for people hanging outside or on the roof of overcrowded, racially segregated trains. It was one of the most important literary presences of the 1970's and 1980's, aiming to be popular rather than elite was consciously non-racial in the segregated apartheid era. Borrowing its name and image from township slang for black youth who rode the over-crowded African sections of the racially segregated commuter trains by hanging onto the outside or sitting on the roofs, Staffrider had two main objectives: to provide publishing opportunities for community- based organizations and young writers, graphic artists and photographers; and to oppose officially sanctioned state and establishment culture. Produced by the same Durban "moment" that saw Steve Biko begin the South African Students' Organisation, Staffrider had a view of literature with a small "I": it's base was popular rather than elite and it sought to provide an autobiography of experience in its witness of daily black life in South Africa. The magazine's nonracial policy and choice of English as a non-ethnic mode of communication attracted a cross-section of writers, artists and other contributors to the magazine. Debates around Staffrider's "self-editing" editorial policy were ongoing and the magazine eventually adopted quality control measures under the editorship of Chris van Wyk. But the magazine's early flexibility ensured that the work of previously unpublished writers and artists appeared alongside that of many South African notables including Nadine Gordimer, Lionel Abrahams, Rose Zwi, and Mtutuzeli Matshoba.

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